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The Golden Age of Souvenirs
John Orth
Brooklyn, NY, September 2014
20 pages + cover, 8.5″ X 7″, saddle stitched with rounded corners.
Risograph printed using blue and burgundy ink on grey, tan, and natural colored paper. Grey cardstock cover with three color (orange, white, and gold), screen printed by John, inner cover printed with brown Riso ink.
Edition of 200
A companion publication to Orth’s show, “The Golden Age of Souvenirs,” at Wayfarers (Brooklyn, NY), from September 5th-28th, 2014. Contains exhibited drawings and other related art.


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Other Way
Lale Westvind
Brooklyn, NY, July 2014
24 pages + cover, 8.5” X 7”, saddle stitched.
Risograph printed using blue and brown ink on yellow and blue paper. Ivory cover with two color (blue and red) screen-printed by Lale, inner cover printed with blue Riso ink.
Edition of 300
Second book in a series of three, where Westvind creates a dreamy, supernatural and dark realm of shadowy figures and continual unidentified conflict. Poetic, sci-fi comic based work drawn with graphite, however not as heavily digitally manipulated as the previous book, “Now and Here.”


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Down By the Bay
Aimee Lusty
Pegacorn Press, June 2014
32 pages + cover, 8.5” X 7”, saddle stitched.
Risograph printed using brown and black ink on ivory paper, mix of tan and ivory cardstock cover with black and brown ink used.
Edition of 300
Beautifully rendered graphite drawings of objects found on Ebay, this unique publication humorously questions collector culture, both institutionally and between private individuals buying and selling online. Using humorous references, Lusty questions the concept of the worth assigned to objects and the nebulous categories of “antique,” and/or, “old shit.”


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The Time Is Now
Caroline Paquita
Pegacorn Press, May 2014
56 pages + cover, 8.5” X 6.75”, rounded corners, stapled and bound with black gaff tape.
Risograph printed using black and blue ink on natural colored paper, light grey cover-stock with black and fluorescent pink ink.
Edition of 150
A collection of sixty original drawings that were used in yearly calendars, made and sold by Paquita between 2010-2014.


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Late Era Clash #26
Mike Taylor
Pegacorn Press, May 2014
32 pages + cover, 8.5“ X 5.5”, saddle stitched.
Risograph printed with black ink on white copy paper, with three color (yellow, blue, and black) screen-printed covers, printed by Mike.
Edition of 300
Repetitive narrative between different characters and situations, to create an eerie and dark tale of sex and small town secrets.


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Garden of the Womanimal
Caroline Paquita
Pegacorn Press, April 2014
28 pages + cover, 8.5” X 6.75”, saddle stitched with rounded corners.
Risograph printed using raisin and brown ink on white paper, white cover-stock with blue and fluorescent pink ink.
Edition of 300
Created for Paquita’s solo exhibition, Garden Of The Womanimal, at Booklyn Artists Alliance (Brooklyn, NY), from April 12- June 8, 2014. Contains exhibited artworks, pieces in progress, photographs, collage and other related art.


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Cryptozoology
Al Burian
Pegacorn Press, March 2014
22 pages + cover, 5.5″ X 4.25″, saddle stitched.
Risograph printed using brown ink on cream paper, with fluorescent pink spot color on cover.
Edition of 250
Small collection of random comics made in margins of notebooks and on scrap pieces of paper- a mix of German and English language.


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Now and Here
Lale Westvind
Pegacorn Press, March 2014
16 pages + cover, 8.5” x 7”, saddle stitched.
Risograph printed using blue ink on pink paper, ivory cover-stock with blue ink.
Edition of 300
The first in a series of three books, Westvind creates an neo-amazonian sci-fi universe of futuristic warrior women engaged in an unidentified conflict. Intensely poetic comic based work created from animation stills, drawn in graphite, then heavily digitally manipulated.


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Womanimalistic #3
Caroline Paquita
Pegacorn Press, June 2013
24 pages + cover, 7” X 4.25”, saddle stitched with rounded corners.
Risograph printed with burgundy, raisin, fluorescent pink and blue ink on grey, natural, tan, blue, yellow and pink paper. Cover- stock varies between tan and white, with either blue or burgundy/raisin mix ink.
Roughly 600 printed over two editions.
Drawings from sketchbooks kept from 2011-2013, as well as material from two performances, “Punk Medical Myths,” and “D.I.Y. Vajazzling with Sparkle Puss, the Vajazzling Cat.”


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Shelter Raiders
Anna Haifisch
Pegacorn Press, May 2013
9 pages + cover, 5.5“ X 4.25”, saddle stitched.
Risograph printed with brown ink on yellow paper.
Edition of 300
Drawn in Leipzig, Germany, and printed in Brooklyn during an artist residency at Paquita’s house. Ultra ridiculous tale of a cat seeing his father on a TV show, seeking him out and hearing about his family and origin story for the first time.


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Zine Libs #1+2
Erick Lyle + Caroline Paquita
Pegacorn Press, February 2013
40 pages + cover, 8.5” X 5.5“, staple and tape bound.
Risograph printed with blue, black, raisin on white copy paper, yellow cardstock cover with black and fluorescent pink ink.
Edition of 300
A play on Mad Libs, these fill-in-the-blank stories are more punk and activist focussed, with hilarious tales about hitch-hiking, crusty punk house-guests, touring, blacking out and other “zine culture” related stories. Initially photocopied and released in two separate issues, in 2005 and 2008.


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Late Era Clash #25
Mike Taylor
Pegacorn Press, March 2013
36 pages + cover, 8.5” X 7“, saddle stitched.
Risograph printed with black and fluorescent pink ink on white paper, grey and white cover-stock with black and fluorescent pink ink.
Edition of 500
Short comic about an assassin shopping at the grocery, followed by a long form fictional comic about an artist navigating the seedy underbelly of the art world. Satirical commentary on the state of the art market and the ghost of Robert Rauschenberg appears before the artist to offer advice on his work.